Music Interviews

Måneskin’s Thomas Raggi tells us about his star-studded solo debut and what’s next for the band

The guitarist talks to NME about his effort “to put different generations together” on new album 'Masquerade – featuring Tom Morello, Chad Smith, Serge Pizzorno and Alex Kapranos – and returning to the band after their solo dabblings

Kylie Minogue tells us about Nick Cave and going viral with new ‘Fully Wrapped’ Christmas album

The pop icon tells us all about her hopes for Christmas Number One, plans for new music in 2026, what she'd change if she could go back to the '90s, and how Nick Cave "has her heart for life"

Tom Morello unveils his political ‘Final Fantasy’ anthem ‘Everything Burns’: “It’s a warning and a call to action”

The collaboration with Beartooth’s Caleb Shomo is out now on streaming and soundtracks the newest ‘Final Fantasy 14’ raid

Fatboy Slim tells us about finally getting The Rolling Stones’ approval for mash-up ‘Satisfaction Skank’ after 25 years

Check out the dancefloor favourite as Norman Cook tells us about his long battle to release it, Mick Jagger being a huge fan, his hopes for Christmas Number One, the state of the dance scene and if he's still "lost his passion" for making new music

PinkPantheress on the surprise success of ‘Illegal’: “I didn’t really think it was going to be ‘the one’”

The Grammy nominee, whose viral phenomenon has been named NME’s Song Of The Year, reflects on a momentous 2025

The bittersweet rise of Bassvictim: “Cool is the good, bad and ugly”

NME meets the London duo making raw, riveting electroclash – amid a turbulent friendship

The Darkness on being part of Christmas and “one of the last proper rock ’n’ roll bands”

Fresh from their festive London pop-up show, guitarist Dan Hawkins told NME about their biggest tour in 20 years, their love of – and cover of – Radiohead, and reaching a new generation of fans

Black Rebel Motorcycle Club on 20 years of ‘Howl’: “When someone tries to put us in a box, we try to sabotage our careers...

Robert Levon Been tells NME about giving the album its flowers two decades on, the "Mad Max wasteland" of music existing between "extremes of hyper wealth and hyper poverty" today, and taking on the US government

Saint Etienne on their farewell album and tour: “It’s a good point to stop – let’s not fuck it up now”

The band told NME about next year's celebratory shows, how their schedule could extend into 2027, still wanting to "keep busy together", their place in the '90s Britpop scene, and future solo work

Kurayamisaka tell stories with sincere, blown-out bliss from Japan’s spirited underground

Armed with triple-guitar catharsis and cinematic noise pop, the Tokyo quintet’s towers of distortion and devoted indie rock tell poetic tales of past and possible lives – and have ignited fierce genre debates
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